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Book, DVD, and Music Reviews by Aberjhani
Author-Poet Aberjhani gave 5 stars to: My Holy Bible for African-American Children, NIV
Author-Poet Aberjhani reviewed:
My Holy Bible for African-American Children, NIV
2 of 2 people found the following review helpful:
 Works by Premier Artists Make Children's Bible Uniquely Collectible,"My Holy Bible for African-American Children" was edited by Cheryl and Wade Hudson, who have won national acclaim as the authors and publishers of their Just Us Books (designed for a young multicultural reading audience). It is recommended for children aged 7-10 and is the first title in Zondervan Publishing's planned ZonderKidz series. Like all children's and standard new international version Bibles, the language in this one has been simplified and made more accessible for modern young readers than that included in a standard King James edition. Moreover, it includes such strategically placed supplemental texts as lyrics for the classic hymn, "Wade in the Water," and an excerpt from Kirk Franklin's more modern gospel standard, "Stomp." A major plus for this Bible--and one that makes it uniquely collectible-- is the fact that it features the work of seven artists whose paintings bring to life both traditional biblical stories and empowering scenes from African-American history. The artists include: Pat Cummings, Nancy Devard, Shane Evans, Cathy Ann Johnson, Anna Rich, and Javaka Steptoe, and Michele Wood. Wood, the award-winning illustrator for the children's books Going Back Home: An Artist Returns to the South and I See the Rhythm, is represented by a half dozen richly painted illustrations in the new Bible ranging from images that combine Christian faith and hip hop culture to that of Civil War abolitionist Harriet Tubman leading escaped slaves across a river. More abstract works by the artist serve as color frames for additional writings about "The African-American Worship Experience" and for "Inspirational Quotes." by Aberjhani National African American Art Examiner and author of The Bridge of Silver Wings (Songs of the Angelic Gaze) |
Author-Poet Aberjhani gave 5 stars to: Trouble
Author-Poet Aberjhani reviewed:
Trouble
1 of 1 people found the following review helpful:
Ray LaMontagne's TROUBLE Demonstrates Rare Musical Artistry,LaMontagne is clearly what we like to call an American original. According to IMDB, his first name at birth was Raycharles, as in the late great singer's two names made into one, and LaMontagne seems to possess the same kind of private relationship with music that Charles' did, one that turned him into a public phenomenon. Whether listening to the story-telling artistry of "Narrow Escape" or the jaunty hopefulness in "Forever My Friend," we hear both LaMontagne's own uniquely styled delivery as well as the accumulated legacies of the great blues singers Robert Johnson and folk icons like Bob Dylan. What seems to make the music distinctly LaMontagne's, however, is his individual respect for the creative gift placed in his capable hands. He is as passionate a poet as he is a singer and two combined make a rare and beautiful kind of musical artistry. by Aberjhani author of ELEMENTAL: The Power of Illuminated Love and Christmas When Music Almost Killed the World |
Author-Poet Aberjhani gave 5 stars to: BLACKsummers'night (Amazon.com Exclusive Vinyl w/CD)
Author-Poet Aberjhani reviewed:
BLACKsummers'night (Amazon.com Exclusive Vinyl w/CD)
| The Nujazz New Millennium Soul of Maxwell's BLACKsummers'night, Upon its release the first week of July, "BLACKsummers'night" matched the success of Maxwell's 2001 CD, "Now," by debuting at number one on the Billboard Top 200 Albums chart. (Reportedly, only Michael Jackson's "Number Ones" CD had more sales for the week but was not eligible for the chart.) This is possibly Maxwell's most ambitiously creative album since 1998's "Embrya." Many found that particular set of music too abstract in comparison to his mega-hit 1996 debut, "Maxwell's Urban Hang Suite," which established the artist as one of the pioneers of New Millennium Soul. "BLACKsummers'night," on CD and vinyl as in concert, has drawn and likely will continue to draw strong approval from the singer's fans and critics worldwide. Those critics who feel obligated to lean in the opposite direction may wonder out loud what the results might be if Maxwell chose one day to channel some of the intensity of his romantic compositions into a collection of songs dealing with serious social and political issues? Such an effort, some critics might wager, could produce a modern version of Marvin Gaye's "What's Going On," or Club Nouveau's undervalued classic, "Listen to the Message." Speculations to the side, the nine songs on "BLACKsummers'night" stand better than well enough in their own right. The set opens with the trip-hoppish and uniquely Maxwellian groove titled "Bad Habits," a song that seems to place listeners at the brink of a break-up that moves back and forth between barely controllable ecstasy and overwhelming regrettable sorrow: "This is the highest cost, take you and make you off/ Love you and leave you lost, will you forgive me..." The erotic angst grows even deeper in the second song, "Cold," in which we hear the first overt hint to the meaning of the album's title: "As God as my witness, my summer's gone frigid, my summer's gone frigid/ I know you can hear this." The third track is the immensely popular "Pretty Wings," which spent a month at the top of the singles' chart, and a snippet of which Maxwell first introduced on the web in 2008. "Pretty Wings" lends strong support to the singer's statements in recent interviews where he asserts that he matured a great deal while out of the public spotlight for the past eight years. At a time when too many people resort to violence or stalkerish behavior at the end of a difficult relationship, the singer croons with altruistic serenity: "If I can't have you let love set you free/ To fly yo' pretty wings around..." Each of the first eight songs is a stand-out with vocals that are more powerful than ever. They take listeners through an odyssey of love lost, love discovered anew, and then explored straight through to the burning screaming hilt. The ninth track is a jaunty instrumental appropriately titled Phoenix Rise, courtesy of Maxwell's creative alter ego Musze, that provides the perfect punctuation to the entire set. A major component of the Maxwell's success from the beginning has been a spiritual quality within his music that enhanced its appeal to no small degree. It was easily evident throughout the Embrya CD, and in his cover of Kate Bush's "This Woman's Work." On BLACKsummers'night, the spirituality comes through most dynamically in "Help Somebody" and "Playing Possum." The former drives its point home with the echoing plea, "Give a little mo-o-o-o-o-o-orrrrrrrre!" and this chilling request: "If you see the future, ask it if I'm there,/ Ask him if I'm there/ Ask it to tell you, did I ever make a stand..." Moreover, while the title of "Playing Possum" may sound lighthearted, it is performed as a tearful elegy that calls for a loved one to "Come back from the dead" and ends with the final weeping sob of "Yeeeeeeaaaahhhhhh..." The CD throughout is flavored heavily tastes of nujazz, the distinct smooth sounds of what the world embraces as neosoul, and elements of world music. For this, in an interview on [....], Maxwell acknowledged his band members: "I made this album and these albums with the assistance of so many great people. Musicians on this album are at the top of their game. To be in that zone or that place where you're just making music because you really love it... you can tell the difference I think." by Aberjhani co-author of ELEMENTAL: The Power of Illuminated Love and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
Author-Poet Aberjhani gave 5 stars to: Vicky Cristina Barcelona
Author-Poet Aberjhani reviewed:
Vicky Cristina Barcelona
1 of 1 people found the following review helpful:
Three Reasons to Celebrate Woody Allen: Vicky Cristina Barcelona,The idea of naïve innocent Americans abroad in the world and preyed upon by charming seductive Europeans is a favorite theme in classic works by cosmopolitan novelist Henry James. Celebrated director and writer Woody Allen, whose greatest hits include such notable movies as Annie Hall (1977), Hannah and Her Sisters (1986), and Mighty Aphrodite (1995) gives that theme a very modern, humane, and somewhat wicked twist in Vicky Cristina Barcelona. He accomplishes that entertaining feat with a stellar cast featuring Rebecca Hall as Vicky, Scarlett Johansson as Cristina, Javier Bardem as Juan Antonio, and Penelope Cruz in her Academy Award-winning role as Maria Elena. Woody Allen is a film master of complex character studies and social entanglements that lend themselves to philosophically absurd interpretations. Through his quirky brilliant perspective and the film's laid-back narration by Christopher Evan Welch, we meet best friends Vicky and Cristina. Two beautiful talented young women at crossroads in their lives, Vicky has recently received her master's degree in the somewhat improbable subject of Catalonia and is preparing to get married. The more free-spirited Cristina is a budding filmmaker who recently completed a twelve-minute short about "why love is so hard to define," and is now trying to determine which direction her life should take next. Barcelona, one of Spain's most beautiful cities, provides the perfect cultural retreat--rich as it is with history, poetry, music, and the art of Antonio Gaudi and Joan Miro--where they hope to gain some inspired perspective before moving on with the next chapter in their lives. The women's planned idyll seems both innocent and sophisticated enough until they meet the calmly intense painter Juan Antonio Gonzalo. In less than five minutes after meeting them, even before learning their names, Juan Antonio invites Vicky and Cristina to fly with him for the weekend to a small town called Oviedo where, he proposes, "I'll show you around the city, we'll eat well, we'll make love." Vicky is shocked by this proposal while Cristina is intrigued. Both ultimately accept the offer for different reasons and the weekend concludes with some surprising results. After Cristina is sidelined by an inflamed ulcer, the cautious Vicky finds herself more intimately involved with Juan Antonio than probably any engaged woman should be with a man other than her fiancé. The threesome get their romantic priorities in order when Vicky's fiancé Doug (Chris Messina) comes to Barcelona; and Cristina ends up moving in with Juan Antonio. All seems to progress as it morally should when Juan Antonio's ex-wife Maria Elena re-enters his life like a storm whirling in from the desert. Surely it testifies to the magnitude of Penelope Cruz's dramatic gifts that she is physically absent from almost the entire first half of the film and then practically dominates the second half with her captivating portrayal of Maria Elena. Though Juan Antonio and she are officially divorced, he feels obligated to take her in following an attempted suicide. As a character, Maria Elena is a cluster of contradictions and paradoxes, part madwoman and part genius, insufferable enfant terrible and seductive beauty. To her, it makes sense when she confesses to searching through Cristina's personal items to make sure she had nothing that could harm her, Vicky, and to be certain as well that she is "the right one" for her ex-husband. Nor does she see anything incongruous about her assessment of her relationship with Juan Antonio: "Our love will last forever but it just doesn't work." Oddly, she seems less prone to jealousy than she is to impatience with artistic mediocrity. According to her, Juan Antonio "stole everything from me, his whole style." Yet she screams at him with the exasperation of a dedicated mentor, "Do you realize what it is like for me to realize you will never reach your full potential?!" Her eventual acceptance of Cristina goes a lot further than tolerance and she actually throws a tantrum when Cristina decides it is time for her to move on. Vicky and Cristina's involvement with Juan Antonio and Maria Elena at first seems like exactly the kind of slightly taboo, and very neurotic adventure that both women might desire for a temporary diversion. But with such a volatile mixture of characters all hungry to experience life's most pleasurable and daring possibilities, something disastrous is bound to happen. And it does. Just when any number of critics had started to proclaim the end of Woody Allen's career as a filmmaker of any real consequence, Vicky Cristina Barcelona shows him right at the top of his ingenious game with some very strong hints of more great work to come. by Author-Poet Aberjhani co-author of ELEMENTAL: The Power of Illuminated Love and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
Author-Poet Aberjhani gave 5 stars to: Dream Reachers
Author-Poet Aberjhani reviewed:
Dream Reachers
4 of 6 people found the following review helpful:
Blessed by the Company of Dream Reachers,In the end, however, the error would have been mine because Dream Reachers, the surprising new book by Betty Dravis and Chase Von, does indeed serve as literary host to this author and certified legends like Eastwood and Kennedy. What makes Dravis and Von's book work so well is the wide spectrum of personalities and eras presented in their very entertaining book, with Dravis drawing on early-career encounters to showcase a number of bonafide stars and political heavyweights-- while also employing along with Von more recent interviews with "legends in the making." Among the latter are actress/singer Kiara Hunter, entertainment reporter Crystal Myrick, nujazz singer Nhojj, country music star Tanya Tucker, and several dozen more dream chasers who managed to transform hope and determination into measures of achievement and fulfillment. Hopefully, the greater part of my measure is still ahead of me and not behind. The different voices, diverse perspectives, and varied nature of individuals' journeys presented in Dream Reachers make the book as fun as it is inspiring. Here, in closing, is an excerpt from my chat with Chase Von: Chase: How did your time spent in the military [U.S. Air Force] enhance your writing? Aberjhani: Thank you for that question! My time in the military marked my beginnings as a professional writer. I was very fortunate in that I was able to serve as a military journalist/editor with the base public affairs office. And the thing about being a journalist with a weekly deadline in the military is that you learn how to write whether inspired by a particular muse or not. You know there's a job to be done and an entire base population counting on you to get it done because they need the information you're providing--so you do it, period. Chase Von: Your list of awards is astounding! Your name is listed in a byline besides the great W.E.B. Du Bois himself! You have also won the Best Poet and Spoken Word Artist in the 2006 Connect Savannah Readers' Poll. The Poet of The Month January 2007 at THE WRITING FORUM. You're the recipient of the Irene Tromble McAlister Literary Prize! The "Critic's Pick" for "Best Savannah Author" in the CREATIVE LOAFING Entertainment Magazine's "Best of Savannah Year 2000" poll. And you have also been selected for inclusion in CONTEMPORARY AUTHORS (published by Gale), which since 1962 has been the most authoritative reference on World Authors! Did I miss any, and do these things just happen with you putting yourself out there? Or do you have to enter into contests and win to be recognized? Aberjhani: I don't enter literary contests because I tend not to win them [laughs]. The awards that have come my way--including the CHOICE Academic Title and Best History Book awards--have all been bestowed by people and organizations who decided that my work provided something valuable for the reading public and for that reason deserved greater recognition. But I have to tell you that I received my greatest award when I gave a presentation for the Poetry Society of Georgia. It's the oldest literary organization in the state and many of its members at that time were senior poets who used to joke about needing `new blood' to stay alive, so they were happy when I was an active younger member. Anyway, after my presentation, I got a standing ovation which by itself was deeply moving. But then this one poet (the great Patricia Robinson King) who at the time I think was almost 80, sitting in the front row, looked at me and said, "I don't usually stand because these old legs of mine make it difficult, but I'm going to stand for you." I shook my head and said, "Oh please don't," because she used a walker and I knew it was painful for her. She couldn't clap her hands because she was holding onto her walker but that great poet insisted on standing and nodding to acknowledge her approval of my work. I cried over that for a year. Aberjhani author of Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) and The American Poet Who Went Home Again |
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Aberjhani Author-Poet-Editor's Blog
Work and Soul in Michael Jackson's This Is It (Part 1): The Human Nature of the Dance
Music icon Michael Jackson and This Is It dancers. (AP photo release)
It says a lot that even while its principle star struggled to conserve creative energy and was simply “warming up” for the actual live performance scheduled to follow, Michael Jackson’s… Continue
Posted on November 17, 2009 at 3:30pm —
The Unique Genius of Gullah Artist Allen Fireall
Artist Allen Fireall at the Red Piano Too Art Gallery. (photo by Victoria Smalls)
When considering that an artist for the past twenty years has been producing and selling more than 100 original paintings per year, it becomes difficult to think of the individua… Continue
Posted on September 8, 2009 at 3:34pm —
Days to Remember in September 2009
The award-winning Encyclopedia of the Harlem Renaissance (Facts on File).
Before the hours of insanity and annihilation that changed world history on September 11, 2001, the month of September was noted by members of my family primarily as the birth month for at least a half dozen indivi… Continue
Posted on September 1, 2009 at 11:24pm —
Among the Dream Reachers
Dream Reachers by Betty Dravis and Chase Von
I’ve been lucky enough and survived long enough to share pages, via such outlets as anthologies and magazines, with some fairly extraordinary company, including luminous folks like Amiri Baraka, Pearl Cleage, Sean “… Continue
Posted on June 9, 2009 at 4:25pm — 1 Comment
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Mister President
Adding to your problems is the inheritance of the soldiers returning home from the battlefields, but you also have inherited Veterans claims as long back as WWII.
The problems has left to grow and fester with the complacency of those VA involved during too many years.
My humble suggestion below (Article) can be done surgical quickly using the knowledgeable personal that you have already at your disposition, the unemployed Veterans, but first, you will need to clean the VA house of the dead weight that have sucked the system like leeches and didn’t do a day of honest job to accommodate the Servicemen needs.
Please, Mister President, take the Red Tape from the VA, replace its malfeasants with an honorable crew, the unemployed and able Veterans.
Soldiers coming back from Iraq/ Afghanistan to a foreclosed house, to unemployment and a long string of years to get their claims right to be processed.
After WWII it was made an attempt to help with the GI Bill, but then came Korea, Nam, Iraq x 2 and Afghanistan.
In between a few more "little" brawls that left a few dead and more than few "damaged"
Pompously, Agencies were promptly put in lace for the soldier's benefit...which never reached the soldiers because a wall made of red-tape was build as well to protect the allocated funds from the greedy handicapped ex-soldiers.
DREAM, that all War Veterans alive, walking, crawling or pushed, descend one and the same day over Washington and park all around Congress, disrupting traffic with a million men and women, in a sit down until their demands are satisfied once and for all with a iron clad law that even a money corrupt President and his cronies can’t touch.
They can't arrest one million, can they? not in front of all worlds TV cameras showing amputees soldiers, old forgotten ones, homeless soldiers, infirm ones from war’s effects that the Pentagon denied its causes ever happened, the GOP will have a hard time explaining as the media frenzy would go on telling the rest of the world how nice is the American Dream?
Ed Kostro said, quote "The last time that veterans marched on Washington was back in 1932, after the Great Depression, and for similar reasons. And they were chased out of D.C. with tear gas." unquote.
But, I will say, they didn't had Television or Internet or YouTube or photo/camera cellphones or camcorders or...need I say more?
ARTICLE, posted with a solution for those VA stagnated officials living in a world made of red tape and self-gratification.
The VA said they have a backlog of 1.000.000 Veteran claims?
Divide them with 50 US States = down to 20.000 claims per State.
Or, compensate small States vs big States quantity as required.
Each US State will open 10 VA offices manned with 10 unemployed but educated Veterans each. (100 new post of full employment, that also can double as recruiting offices, thy know what they are talking about)
Down to 2.000 claims per VA office.
Each employee workload = 250 working days, at 4 claims per week = 208 claims X 10 = 2.008 claims per year per office.
State wise 20.080 claims processed per year.
Country wise 1.040.000 claims processed in 250 working days that are 40.000 more than VA's backlog.
First, say that for the sake of argument, that it will take 500 working days, it can be done. Today takes four years for a Veteran claim & appeal to ever move an inch, and that if it moves at all, it will take years or never to do so, if we let our VA domestic little tsars get away with it (we have done it for so long…)
Second, unemployed Veterans can have a job where they know what they talk about and the "money on the dole" like they like to call, will be put in good use and give a little more dignity to the men and women that served.
Third, All the Administrative structure of the VA will be revised by a panel of high rang officers with the top VA echelon dismissed forthwith in suspicion of power and/or economical corruption of Veterans fund malfeasance, and the rest of the actual employees, in probation with no guarantees of no dismissal when the fiscal year ends.
”I just followed orders” will be not accepted as an excuse to callously dismiss a Veteran's claim. (It didn’t worked in Nuremberg Trials)
The time as come for the War Veterans to take matters in their own hands with the help of their Commander in Chief and President.
In a country that gives bodyguards to the likes of a gimme-gimme more oil Dick Cheney and take the bread and bandages away of the Veterans, maybe the soldiers that got the fortune to come back from the field at all should have the right to shake all the corrupt political system and their lobbyists.
If the President can say YES, WE CAN, then the soldiers can say ENOUGH IS ENOUGH, and remember what President Truman said? Now, go find a man that can say and mean it…"The Bucket Stops Here"
Georg Edvard Mateos
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